EASTERN OREGON UNIVERSITY
School of Arts and Sciences

ENGL 436: Literary/Film Themes (Writing Intensive/UWR Writing Intensive)
Peace and War

Credit hours: 3
CRN: 31587
Meetings: Tuesdays as follows:
 
Odd weeks 6-8:20 PM LH117 Seminar (incl. 15-min. break)
Even weeks 6-6:45 PM LH 117 Seminar
7-9:30 PM ZH 142 Film and Discussion

Instructor:
Nancy Knowles
Office: Loso 146--(541) 962-3795
E-mail: nknowles@eou.edu
Course home page: http://www.eou.edu/~nknowles/436
Office hours: M 10-11, T 2-3, R 10-11, and by appointment.

Prerequisites: Upper-division standing and consent of instructor.

Catalog description: This course will provide an in-depth study of a major theme in one or more genres, historical periods, or authors.

Course focus:  This term, ENGL 436 will focus on peace and war in literature and film.

Theoretical approach: This course assumes

Academic philosophy: In ENGL 436, participants are scholars engaged in inquiry and dialogue regarding course content. Scholars read widely. They find relevant materials not only in academic or literary works but also in daily life, and they synthesize those materials to make meaning for themselves and to share that meaning with others.

Learning outcomes (Upon successful completion of this course, students should be able to...):

1. Read literature/film about peace and war critically,

2. Situate their understanding of peace and war literature/film within peace and war theory and within their personal ethical understanding of peace and war,

3. Employ effective writing strategies for discovery and demonstrating learning,

4. Lead and participate in public discussion about peace and war literature/film and ethics.

Outcomes for upper-division UWR writing-intensive courses:

Students must complete all UWR writing-intensive courses with a C- or better, and UWR writing-intensive courses must allocate at least 30% of the overall grade to formal writing assignments, with at least 25% of the overall grade based on evaluation of individually written papers that have been revised after feedback.

Means of assessment (The above outcomes will all be assessed using the following methods):

Grading information, rules, and guidelines common to all my syllabi

Course requirements:

Required materials: Resources:

Schedule:

 
 
Week Class Activities Assignments Due
Week 1 
Tuesday,  
September 28
Course Introduction
What is war?
  • Freewriting and discussion
All Quiet on the Western Front (1930)

Monday,
October 4
Reading in the Blues (Orwell)
Optional extra credit
Pierce Library Reference Room 7 PM ( and Mondays hereafter)
Week 2 
Tuesday,  
October 5
Discuss texts and images

What is war?

  • War philosophy
  • World War I
What characterizes the representation of war?
  • World War I literature
  • Review online course materials and bring questions
  • Bring copies for the class of one text or image 
  • Write weekly reflection
  • Week 2 readings online: World War I poetry: Rupert Brooke "The Soldier" (1914), John McCrae "In Flanders Fields" (1915) , Siegfried Sassoon "Counter-Attack," "Base Details," "Conscripts," and "Glory of Women" (1918), e. e. cummings "my sweet old etcetera," Jessie Pope "Socks" (1915), Wilfred Owen "Dulce Et Decorum Est" (1917/1920), and Isaac Rosenberg "Dead Man's Dump" (1916-18/1922)
  • Week 2 readings on reserve: World War I short fiction:  Josef Marcus Wehner "The Red Light of Morning," W. F. Morris "Souveniers," Helen Mackay "London, September" (1917), and Ernest Hemingway "Soldier's Home" (1925); on the literature of World War I:  Paul Fussell "A Satire of Circumstance" from The Great War and Modern Memory and Evelyn Cobly "Documentary Realism and Experimental Modernism" from Representing War; on war: Robert N. Bellah "Seventy-Five Years"
Oct. 6, 7, and 11
Fahrenheit 911
Optional extra credit
McKenzie Theatre 7 PM
Week 3 
Tuesday,  
October 12
Discuss texts and images

Postmodernism and war literature: Tim O'Brien

Where does war come from?

  • Biology
  • Individual ethics
  • Social structures
The Grand Illusion (1937)
  • Bring copies for the class of one text or image 
  • Write weekly reflection
  • First short project due
  • Week 3 readings online: Edith Wharton "Writing a War Story" (1919), Henry Reed "The Naming of Parts"(1942) from Lessons of the War
  • Week 3 readings on reserve: war literature: Tim O'Brien "How To Tell a True War Story" from The Things They Carried; war theory: Susan Gubar "'This Is My Rifle, This Is My Gun'" (1987), Wendell Berry "Thoughts in the Presence of Fear" (2001), Howard Zinn "Violence and Human Nature" from Passionate Declarations (2003), Riane Eisler "Dark Order out of Chaos" from The Chalice and the Blade (1987)
  • Optional: John Kerry's 1971 Senate testimony regarding Vietnam
Week 4 
Tuesday,  
October 19
Discuss texts and images

Discuss Orwell

  • Bring copies for the class of one text or image 
  • Write weekly reflection
  • Orwell 1984
  • Submit course notebook
Week 5 
Tuesday,  
October 26
Discuss texts and images

What is peace?

  • Freewriting and discussion
The Great Dictator (1940)
Week 6 
Tuesday,  
November 2
Rosemary Powers on peace activism

Discuss texts and images

What is peace, and how is it depicted in literature?

  • Pacifism
  • Non-violence
  • Utopia theory: Le Guin
  • Peace activism: Greenham Common: Weldon
Discuss Shaw
  • Bring copies for the class of one text or image 
  • Write weekly reflection
  • Second short project due
  • Week 6 readings on reserve: Birgit Brock-Utne "What Is Peace?" from Educating for Peace, Burns & Apeslagh "Peace: Its Conceptualization" and Richard Harries "The Presence of Justice" (2001)
  • Shaw Arms and the Man
Week 7 
Tuesday, 
November 9
Regina Braker Nobel Peace Prize

Paths of Glory (1957)
Nov. 11, 12, or 13 Attend Arms and the Man
 Required: buy tickets in advance
McKenzie Theatre time TBA
Week 8 
Tuesday,  
November 16
Danae Yurgel of  Take Musu Kai

Discuss texts and images

What strategies enable peace?

  • Conflict resolution
  • International arbitration
  • Peace education
  • Addressing structural inequities

Feminist approaches to peace: Woolf

  • Bring copies for the class of one text or image 
  • Write weekly reflection
  • Woolf Three Guineas
Week 9 
Tuesday,  
November 23

Response groups

Dr. Strangelove (1964)

  • Bring copies for the class of one text or image 
  • Write weekly reflection
  • Week 9 reading on reserve: Betty Reardon "Militarism and Sexism" (1980)
  • Rough draft of Term Project due
Week 10 
Tuesday,  
November 29
Discuss texts and images

Feminist approaches to peace

  • Bring copies for the class of one text or image 
  • Write weekly reflection
  • Week 10 reading online: Barbara Ehrenreich Barnard Commencement Speech 2004
  • Tepper Gate to Women's Country
  • Submit course notebook
Final
Tuesday,
December 7
Final discussion

What is the meaning of December 7?

  • Term project and supporting materials due