TOMORROW WHEN YOU CRY

Words and Music © 1995 2007 by M. Mustoe Ph.D.
Twelve String Guitar, M. Mustoe
Nighthawk Mountain Music BMI

Sunshine Records Winnipeg, Manitoba
Produced for the Geographies of Music, Geographers Who Play Music
The Journal of Media Geography

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COGNITIVE HEARTHS
In the early 1990's I had the chance to visit the Texas Alamo in San Antonio. Up until that point, the perceptual construct I had of this building was derived from Walt Disney and Hollywood. But no longer is it simply a building to me. It is a shrine. Albeit I ponder over the intense violence and what came out of the suffering of those thirteen days in 1836...there is the politically obvious. But for every grandiose scheme, there is a microcosm of experience generally covered up by the greater excitement of the moment. And as I visited that site and viewed the artifacts taken from the field of battle, so many things began speaking to me.

William Travis, no matter what you think of him politically, was a passionate human being. And stuck inside those walls he sensed the seriousness of the situation. Although he testified in his final letter that "God was on their side" and he had survived so far.....he also knew there were 189 defenders with him and 4000 on the other side of those walls. But clearly in his last discussions on this planet, he speaks in an optimistic tone, in the midst of grave circumstances. In his mind, there was no other place to be. It was a momentous moment. Travis made one last attempt to "call home" as it were, in the midst of his predicament. He was saying goodbye. His letter says it like it is:


I am determined to sustain myself as long as possible & die like a soldier who never forgets what is due to his own honor & that of his country ----- Victory or Death
William Travis
24 February 1836. (see his letter in full here)

Death where is thy sting? Additionally, there in the Alamo, as the story goes, Travis gave a ring he had obtained from a female friend, to a baby girl. Assuming it would be taken from him on the event of his death, he tied the ring around the neck of little Angeline Dickenson, the daughter of fellow defender Almeron Dickerson. Is the story true? No one knows for sure. The ring is on display, venerated under the lights of a display case in the Alamo museum. It caught my eye.


CONDITIONS
Maybe it was just the ambience of this place. Somehow, when I saw that ring something seemed to say, "Stop listen I have a story to tell." And then it seemed, it was finally my moment to tesseract. As I considered that artifact, and the place surrounding me, in some transcendental sense I found myself there, feeling the weight of the inevitable, and the sheer futility of it all. There was no way out, sans leaving behind ones blood and the essence of the horrific, tortuous sounds of death after death after death, echoing through the scrubby environs on the outskirts of San Antonio. And then, as the last bayonet was twisted from the last body there was a moment of silence, and the macabre celebration of victory ensued. Santa Anna "spared" the lives of a few in the Alamo. According to the story Angeline Dickenson was one of those fortunate souls, Travis' ring survived as an artifact in her possession.
And a little child will lead them.

Music at the Alamo was no doubt a multicultural mix of European and local flavour. This song seemed to naturalistically emerge in the syncopation of something of ballad.

 

Thank you for listening.


M. Mustoe Ph.D.
Eastern Oregon University
© 2007 December
The Association of American Geographers
Communication and Media in Geography