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KEOL-FM Staff Listing
A Little List of Who's Who on KEOL-FM
KEOL-FM is staffed entirely by volunteers. The
station is open to anyone who fullfills the
following requirements:
- Is an Eastern student, faculty, or staff member
(exceptions can be made to this requirement. We
have several community members on staff).
- Has taken and passed the FM Broadcasting I
Intact course.
Click here to read How Seniority Works
Click here to see the Seniority List
Click here to read Management Profiles
KEOL-FM
Management
Station Manager – Brian Hempel
E-mail: 91.7keol@gmail.com
Program Director – Logan Bagett
E-mail: 91.7keol@gmail.com
Music Director - - Jenifre Tarkus Kayoa-Bonaqeraj
E-mail: See
Below Seniority List
KEOL-FM Seniority List
as of April 5, 2010
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Jenifre Tarkus
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Mark Masterson
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Greg Monahan
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Jeff Dense
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Emily Hodgson
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Mark Shadle
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Dustin Keys
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John Thurbur
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Jeremy Clark
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Ryan McGinnis
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Frederick Pratter
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Brian Hempel
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Kendall McGinnis
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Ramsay Cowlishaw (RC)
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Logan Bagett
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Rick Moody
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Patrick Barrows
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Joseph Secl
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John de Villier
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Bryan Grimshaw
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Jason Scott
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Jaq McPherson
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Tony Wiedenmann
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Jason Rector
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John Thiessen
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Erik Deutsch
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Maddison Stapleton
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Chris Leavitt
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Chantell Cosner
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Taylor Sauter
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Victoria Stewart
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Bill Roshon
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Jim Tilly
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Josh Dowdy
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Janelle Mudder
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Gail Williams
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Martez Brayboy
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Robert Seth
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Craig Byrum
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Aaron Smiley
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Chelsea Janes
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Crystal (CrisAnn) Horst
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Grayson Ervin
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Kyle McHenry
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Woody McCall
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Music Director - Jenifre Tarkus Kayoa-Bonaqeraj
E-mail: mellotrongirl@hotmail.com
Office hours are: 9:30 to 11:00 am Mon/Tues/Thurs/Fri at 962-3466 (Pacific
Time Zone)
I am the illustrious fantabulous effervescent (and
sometimes longwinded) Jenifre Tarkus
Kayoa-Bonaqeraj, MD and DJ here at this superfine
stand-alone state-of-the-art semiquadrophonic
broadcasting facility for 25 years as of Nov. 21, 1978...my first radio show.
I've been here since the days when every nation in Africa
had a different name, and Mtn. Dew was actually carbonated. I am also a
Safeway Club Card holder in good standing since 1998.
Other interests I have secondary to all types of quality music are: gardening
(my real job), positive empowerment/diversity issues, kitsch collectables,
art deco, meteorology, volcanology, vintage
keyboards, logo/graphics design, dry comedy, nightclubs/social evenings out,
surf/sk8brds, physical geography and Nunavut/Inuit culture.
Ever since I heard U.K.'s
"Danger Money" on this station the day I rolled into town to go to
college here (back before the war when EOU was known as EOSC), I knew I had
to be involved. I had worked in record stores between Florida
and Portland, OR since 1975 and have been an active
Goldmine record collector since 1971. Even though I'm completely out of synch
with predictable mainstream radio hits and plasticity, it doesn't matter-- as
KEOL provides a therapeutic outlet to cut loose and get away with whatever
adventurous music or programming legally feasible under the smothering
envelopment of the FCC. I encourage those of groundbreaking stature to do the
same by jumping on board. Enjoy dominance and control, and throw away those
prescription stress relievers.
See, I told you I can be longwinded.
My self-defined job description sounds simple: *To acquire as much variety of
music as possible with the least amount of expense*. Seems like a cheap ass
way of doing biz, but with a bit of motivation and schmoozing (along with
downloading and duplicating) there shouldn't be a reason why we don't have
everything. Well, maybe lack of shelving space. But don't worry; in the near
future we all can scare up any song we want from a cluster of microchips in
our pocket with some kind of keyboard interface and amplification system. So
long as the immediacy of music doesn't make radio obsolete and makes me wansome to fill a vast void in my free time.
KEOL sure is a lot of fun, and a great extended family. My real family
doesn't party nearly often enough.
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